Autumn 2018 Course Offerings

GE Courses

French 1801 - Masterpieces of the French-Speaking World: “The French Mediterranean: Sea, Sex, and Sun,” GE Literature, GE Diversity: Global Studies

Professor Patrick Bray, WF 11:10-12:30 pm, 3 credit hours

This course will explore France’s geographical, historical, political, and cultural ties to the Mediterranean Sea in the modern era through film, literature, and popular culture. What place does the Mediterranean hold in the French imaginary? While the idyllic beaches of the Côte d’Azur evoke an image of luxury and decadence throughout France and the world, the docks of Marseille (the busiest port in the Mediterranean) and other port cities in the Mediterranean basin are subject to the often hidden workings of global capitalism. In this course we study how the Mediterranean offers contrasting images of tourism, desire, wealth, and power from the late nineteenth century to the present. Films and stories by Camus, Godard, Sagan, Zola, Hitchcock, Truffaut, and others. Taught in English.

French 2801 - Classics of French Cinema, GE Visual and Performing Arts

Professor Maggie Flinn, TR 9:35-10:55 am, 3 credit hours

This course functions as an introduction to the study of French cinema with a focus on the “Classic” period, the 1930s-1960s, that is, from early sound cinema through the French New Wave. Readings furnish film historical context and give examples of various scholarly approaches to the study of cinema. Students will be introduced to the critical vocabulary of formal and technical analysis, and will develop skills in argumentation based on such analysis through class discussion and writing assignments. A background in film studies or French cultural studies (literature, art history, language) is of course helpful, but NOT presumed—we will do exercises in basic shot-by-shot identification and formal analysis in the beginning weeks of the semester, cultural historical context will be introduced in lecture or readings as it is relevant to interpretation, and readings will be discussed both for their content and their methodological approaches to film. Language of instruction and readings is English, and all films are available in subtitled copies. FR 2801 satisfies the College of Arts and Sciences General education requirement for Visual and Performing Arts. Taught in English.

Italian 2051 - Italian Journeys: Renaissance Tales of Travel and Transformation, GE Literature; and Diversity: Global Studies

Professor Jonathan Combs-Schilling, WF 11:10-12:30 pm, 3 credit hours

While Italy is one of today’s most popular tourist destinations, for centuries it was shaped by the travels of Italians both within and beyond its peninsular borders.  In this course we will examine Italian cultural mobility in the Middle Ages and the Renaissance through fictional and nonfictional texts, including chronicles, letters, travel guides, and epic narratives.  We will begin and end with firsthand accounts of real (if at times marvelous) exploration—Marco Polo’s chronicle of his expedition to and from China; and Antonio Pigafetta’s record of Magellan’s circumnavigation of the globe—but we will also journey as far as Hell (Dante’s Inferno) and the moon (Ariosto’s Orlando Furioso) to examine the foundational importance of travel to Italian identity and imagination.  Taught in English.

Italian 2053 - Italian Cinema, GE Visual Performing Arts and Diversity Global Studies

Professor Dana Renga, MW 12:40-1:35 pm, 3 credit hours

GE Visual Performing Arts and Diversity Global Studies

This course looks at films and serial television by several important Italian directors and touches upon major movements in Italian screen history, including Neorealism, commedia all’italiana, political cinema, the spaghetti western, mafia movies, queer cinema, the film noir and quality television. Taught in English. 

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Introductory Language Courses

Please refer to the Schedule of Classes via BuckeyeLink to view days and times of these offerrings.

French 1101.01, 1102.01, 1103.01 - Beginning French I, II, and III Classroom (4 credit hours)

French 1101.51, 1102.51, 1103.51 - Beginning French I, II, and III Individualized Instruction (1-4 credit hours)

French 1101.61, 1102.61, 1103.61 - Beginning French I, II, and III Individualized Distance Learning (4 credit hours)

French 1155.01 - Beginning French Review Classroom (4 credit hours)

French 1155.51 - Beginning French Review Individualized Instruction (1-4 credit hours)

Italian 1101.01, 1102.01, 1103.01 - Beginning Italian I, II, and III (4 credit hours)

Italian 1102.02, 1103.02 - Beginning Italian II and III Hybrid Instruction (4 credit hours)

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French Undergraduate Courses

French 2101.01 - Introduction to French and Francophone Studies

Section 8105: Professor Maggie Flinn, Tuesday/Thursday 2:20-3:40pm, 3 credit hours

Section 14313: Instructor TBA, Wednesday/Friday 9:35-10:55pm, 3 credit hours

Get to know French culture, geography, and history by reading texts and images critically. Learn techniques for reading and interpreting different kinds of French texts: prose, poetry, plays. Build your vocabulary, your comprehension, your conversation skills and your writing skills as you learn techniques for navigating longer readings. French 2101 is a course designed to help students transition from beginning and intermediate language courses to the more advanced reading required at the 4000-level. It should help students develop reading, writing, and analytical skills to enable them to function at the higher level, as well as develop cultural recognition to help them understand their reading in context. Conducted in French. Prereq: 1103 or 1104.

French 2101.01H - Honors Introduction to French and Francophone Studies

Professor Danielle Marx-Scouras, Tuesday/Thursday 2:20-3:40 pm, 3 credit hours

How can the act of opening a door constitute poetry? Why do contemporary French musicians make use of seventeenth and nineteenth century writers such as La Fontaine and Rimbaud? Is hip-hop poetry? Are love and war related topics? Why is Camus still the best selling author in France? Is the French spoken in Quebec still “French”? How do gender and ethnicity alter language and culture? Join us as we answer these and other questions pertinent to French and francophone studies, on a journey that will take us from France to Quebec, Algeria, Martinique, and other countries. Representative works from literature and the media will be read in conjunction with music and film.

This course prepares students for further work in culture, literature, composition, and conversation. Students will gain proficiency in analyzing literary texts and media materials. They are expected to engage in lively class discussions and give oral presentations. Writing is also an essential component of the course. There will be an intensive peer-edited writing workshop that will prepare you for advanced writing in French. The course will also introduce students to the workings of undergraduate research.

Non-honors students are welcome, but need the permission of the instructor to enroll.

French 3101 - French Grammar Review

Section 8106/8107: Instructor TBA, Monday/Wednesday/Friday 12:40-1:35 9m, 3 credit hours

Section 33759: Instructor TBA, Monday/Wesneday/Friday 3:00-3:55 pm, 3 credit hours

In this course you will find all the information that you need to speak and write like the French. Review grammar you've seen, learn some you haven't, and practice translations in order to rid your French of those pesky anglicismes! We will look at usage examples in French popular songs, film clips, and short readings, and do plenty of conversation.

French 3102 - French Pronunciation and Performance

Instructor Audrey Bourriaud Hoffmann, Tuesday/Thursday 3:55-5:15 pm, 3 credit hours

Formation of French sounds, rules of pronunciation and diction.  Reading and performing poems, excerpts from plays, public performances, television or film scripts. 

French 3103 - French Conversation
Professor Garett Heysel, Wednesday/Friday 3:55-5:15 pm, 3 credit hours

Practice in speaking French on a variety of topics; building of practical vocabulary; emphasis on comprehension and oral expression.

French 3201 - French Literary and Visual Texts: Trouver le Bien-être, survivre le malaise : ce que la littérature française peut offrir

Professor Sarah-Grace Heller, Wednesday/Friday 2:20-3:40 pm, 3 credit hours

In the midst of the current suicide and opiate addiction epidemics in Ohio and the U.S., many are asking how and why this is happening. Questions of how to live, and likewise how to face death, have preoccupied French literature for centuries. While the Stoics of ancient times and embraced suicide when honor was lost, Christian culture gradually came to condemn it as sinful. Renaissance writers pondered it while Romantics romanticized it. Building skills for managing different types of texts, we will follow the themes of dealing with “malaise” (e.g. melancholy, depression, and discontent) and finding “le bien-être”, looking at lessons on how to deal with the challenges of being human. Does literature offer solace and wisdom, or lead the reader down dangerous paths? Only by examining it can you decide for yourself. Format: lecture and discussion.
French 3401 - Introduction to Contemporary French Culture

Instructor Elizabeth Bishop, Tuesday/Thursday 9:35-10:55 am, 3 credit hours

Learn about the social, cultural, and political history of France from World War II to the present, then explore contemporary French culture and the often bewildering differences between it and American culture. In what ways do the French think about money, sex, religion, politics, Europe, and the United States? How does the multi-cultural make-up of contemporary France complicate the answers to these questions? Come find out!

French 3501 - Introduction to French for the Professions

Instructor Kelly Campbell, Wednesday/Friday 9:35-10:55 am, 3 credit hours

An introduction to business French with emphasis on basic business terminology, commercial correspondence, similarities and differences in business transactions, and international procedures.

French 4100 - Advanced Grammar: Grammar Through Current Events

Instructor Gloria Torrini-Roblin, Wednesday/Friday 12:45-2:05 pm, 3 credit hours

Why study advanced French grammar if you are interested in international affairs? Human rights? Food?  Finance?  Migrants?  Medicine? To follow these issues in the francophone media, you need to master the written language by becoming a more educated, informed reader, as well as a more skilled, articulate writer of French. This course replaces FR 5101 and is required for the French major for those have not yet taken 5101. Students who have already taken 5101 cannot register for this course.

ASC (Arts and Sciences) 5194 - The Global Mediterranean 

Professor Danielle Schoon, Wednesday/Friday 2:20-3:40 pm, 3 credit hours

This course will explore the culture, history, and arts of the Mediterranean, including topics such as migration studies, Mediterranean studies, refugee studies, and Mediterranean history and culture.

This course counts towards the one course in English in the French and Italian major and the Italian minor. Search for the class under Subject: Arts and Scienes.

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French 5000-level (UG/G) and Graduate Courses

French 5105 - Introduction to Occitan & the Troubadours

Professor Sarah-Grace Heller, Wednesday/Friday 11:10-12:30 pm, 3 credit hours

Discover the language of the Troubadours.  Occitan, AKA Old Provençal or “langue d’oc,” is a language at the crossroads of French, Spanish, and Italian spoken across the south of France. It was considered the best of the romance vernaculars for lyric poetry by Dante and other contemporaries.  A culture of virtuoso poetic innovation flourished at courts such as those of Eleanor of Aquitaine, the counts of Toulouse, and Alfonso of Castille, from Auvergne to Catalonia. Occitan is still spoken by a minority. Learn the grammar of this medieval language and explore the culture of the south of France as you translate lyric texts and read one of the great humorous romances, Flamenca. A useful course if you are interested in translation, the broader culture and history of France, medieval studies, or romance linguistics.   

Texts: B&N 1598 N High St, (Or order yourself for efficiency)
1.  William D. Paden, An Introduction to Old Occitan (MLA), ISBN 978-1603290548.
2.  F. R. P. Akehurst and Judith Davis, eds. A Handbook of the Troubadours (Univ. of CA Press), ISBN 978-0520079762.
*3. Flamenca, ed. & trans. Valérie Fasseur (Poche, 2014). ISBN 9782253082569.
* If your discipline is other than French, compare these editions: Italian, Manetti 2008; English, Blodgett 1995 or; Spanish, Carbonero, 2010. 

French 5206 - North Africa: Texts and Contexts

Professor Danielle Marx-Scouras, Tuesday/Thursday 11:10-12:30 pm, 3 credit hours

We shall study representative works taken from literature, film, and music that reflect the cultural diversity of the Maghreb and its peoples, whether they reside in North Africa or France. Our objective will be to examine these artistic, historical, and theoretical works with respect to such questions as colonialism and post-colonialism, national identity, linguistic pluralism, sexuality, racism, and terrorism. Texts by authors such as Mohammed Dib, Assia Djebar, Driss Chraïbi, Myriam Ben, Jean Sénac, Mehdi Charef, Djamila Amrane, Abdelkébir Khatibi, Frantz Fanon, Zohra Drif, and Tahar Djaout.

Videoconferences with intellectuals and university students from the Maghreb and France are foreseen.

Satisfies graduate requirement for francophone area.

Students having trouble registering for the course because of prerequisites should contact the instructor. 

French 8202 - Enlightenment and Desire

Professor Benjamin Hoffmann, Tuesday 2:20-5:00 pm, 3 credit hours

Using literary, theatrical and philosophical works as well as the visual arts, this graduate seminar will examine the eighteenth-century dialectics of reason and passion, enlightenment and desire. Topics will include libertinage and the rococo, marivaudages and enlightened pleasures, changing constructions of identity and gender, as well as representations of love, jealousy, self-destruction, and sexuality. Authors to be studied will include Prévost, Crébillon, Marivaux, Diderot, Beaumarchais, Laclos, Graffigny, Casanova, Boufflers, and Vivant-Denon. Conducted in French

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Italian Undergraduate Courses

Italian 2102 - Contemporary Italian Studies

Instructor TBA, Tuesday/Thursday 12:45-2:05 pm, 3 credit hours

In this course you will learn about a variety of aspects of Italian contemporary society and culture, while at the same time focusing on the four language skills: listening, reading, writing, and speaking. Since you are transitioning from the elementary to the intermediate level, at this point more emphasis will be placed on developing your reading skills, so you will be exposed to a lot of authentic Italian in different genres. (However, your listening, writing, and speaking skills will not be ignored!) You will learn techniques to improve your reading in Italian and you will progress from reading relatively short texts to reading a short novel. Grammar will be reviewed and tested throughout the course. The targeted structures are: irregular plurals of nouns and adjectives, the forms and functions of the regular and some irregular present indicative verbs, direct and indirect object pronouns; the passato prossimo, the imperfect, and the past perfect (trapassato prossimo), and the remote past. 

Italian 3222 - Modern Italian Media

Professor Luca Peretti, Tuesday/Thursday 12:45 - 2:05 pm, 3 credit hours

This course explores the intersection of three themes—violence, liberty, and migration—in a broad range of 20th and 21st century media. We will assess how the emergence of mass culture in Italy has been influenced by media, be it the radio, newspapers, television, film, propagandistic newsreel videos or contemporary digital media. The course will examine how modern media have been a crucial way for Italians to understand a diverse range of events and phenomena, be it Fascist dictator Benito Mussolini’s filmed speeches, wars in Europe and Africa, the fight for new rights in the 1960s, 1970s terrorism, and today’s migration crisis in the Mediterranean.  Grammatical structures covered, in class or as independent review, include: piacere and similar verbs; direct and indirect object pronouns; ci and ne; formal/informal imperative (with object pronouns); common idiomatic expressions; dovere/potere/volere (passato prossimo and other tenses, correct usage); regular and irregular present tense verbs; and the possessive.

Italian 4330 - Structures of Italian 

Professor Janice Aski, Tuesday/Thursday 9:35-10:55 am, 3 credit hours

This course will begin with a study of the parts of speech and basic word order, with particular attention to: the use and position of adjectives and adverbs, pronouns (personal and indefinite), relative clauses, and quello che/ciò che. The rest of the course will focus on the verb phrase. We will examine the constructions that are typically challenging for intermediate learners of Italian who want to convey ideas such as: making or letting people do things, (the causative: fare + infinito/lasciare + infinito), conditions and hypothetical situations (the present and past conditional and hypotheticals of impossibility), opinions (the dreaded subjunctive), and actions in which the agent of the action is not expressed (the passive voice). In addition, we will refine understanding of the notorious double object pronouns. Readings and discussion will also explore the relationship between contemporary spoken Italian and the language presented in grammar books.

ASC 5194 - The Global Mediterranean 

Professor Danielle Schoon, Wednesday/Friday 2:20-3:40 pm, 3 credit hours

This course will explore the culture, history, and arts of the Mediterranean, including topics such as migration studies, Mediterranean studies, refugee studies, and Mediterranean history and culture.

This course counts towards the one course in English in the French and Italian major and the Italian minor.

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Italian 5000-level (UG/G) and Graduate Courses

Italian 8221 - Studies in Italian Literature

Professor Jonathan Combs-Schilling, Wednesday 2:20-5:00 pm, 3 credit hours

Focus on one author from any time period. 

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To find course availability and times, please visit the Ohio State Course Catalog and Master Schedule.